ARTISTS' FEATURED
Curatorial dance films with podcast interviews with their makers.
DECEMBER 2019
4 ~
By Rodrigo Rocha-Campos (BR/CA)
By Rodrigo Rocha-Campos (BR/CA)
Film Still. 4~
|
"I find screendance almost like alittle bit of a live performance. We go watch a live dance performance. You have a theme, like stories, the title and what the artist is trying to convey. But the storyline is going to be up to you to connect the dots..." - Rodrigo Rocha-Campos (BR/CA)
|
REMINISCENCE
By Lucy Doherty (AU)
By Lucy Doherty (AU)
Video Still. Reminiscence
|
"My interest in film was in what can I share through film that I can't share through live performance. That's what kept me inspired to explore this medium.." - Lucy Doherty (AU)
|
NOVEMBER 2019
AURA NOX ANIMA
By Lux Eterna (AU)
By Lux Eterna (AU)
|
“I feel that this work is connected to that dream about being a mystic out in the desert and learning pathways back to the body, back to the space, back to life cycles and death cycles.” - Lux Eterna (AU)
|
OCTOBER 2019
Vašhava
By Sašo Podgoršek (SI)
By Sašo Podgoršek (SI)
Film Still. Vashava
|
"Dance cinema is a creative genre that doesn't have a rigid narrative form and I think that every dance movie in the world is discovering for itself how to do it – what to tell, how to talk, how to dance." - Sašo Podgoršek (SI)
|
SEPTEMBER 2019
VALLE DELLE SFINGI
By Anja Dimitrijević (RS)
By Anja Dimitrijević (RS)
Video Still. LA VALLE DELLE SFINGI
|
"I like the possibility of activating spaces with the bodies but not giving the body an entitlement over the space. I like when it can be equal." - Anja Dimitrijević (RS)
|
AUGUST 2019
MARMO
BY LAURA CAPPELLESSO (IT)
BY LAURA CAPPELLESSO (IT)
Video still image. Marmo
|
“One of the things that connected me to Michelangelo was this idea of seeing something, a work of art inside matter and trying to get all the chips out and set this work of art free.” - LAURA CAPPELLESSO (IT)
|
US RIGHT NOW
BY DR JASON LAM (AU)
BY DR JASON LAM (AU)
Video still image. Us Right Now
|
"I take into account the movement of the bodies on screen but also the camera is movement..." - DR JASON LAM (AU)
|
JULY 2019
THE FORTRESS OF UTOPIA
BY SANDRA STERLE (HR)
BY SANDRA STERLE (HR)
Video still image. The Fortress of Utopia
|
"..You cannot catch it only in performance. You cannot catch it only on the stage. You really need digging up. And this film form in performance is for me this sort of digging up on what is behind." - SANDRA STERLE (HR)
|
CYCLE RE
BY ANA MARIJA MARINOV (HR)
BY ANA MARIJA MARINOV (HR)
Video still image. CYCLE-RE. 2016
|
"Whatever is lies on something that's already been there and the only thing that is constant, is ever changing-ness of things." - ANA M. MARINOV (HR)
|
JUNE 2019
KNOCK
BY RUNNING MAN (AU)
BY RUNNING MAN (AU)
Video Still. KNOCK.
|
"Cinema lets us be so specific with every dance move that they all have a role in it." - RUNNING MAN (AU)
|
YOU MOVE ME
BY GEMMA RIGGS (UK)
BY GEMMA RIGGS (UK)
Video still image. You Move Me
|
“Here’s to us all being dancers, in every moment, in every day.” - GEMMA RIGGS (UK)
|
ABISSO
BY SARAH PINI (IT / AU)
BY SARAH PINI (IT / AU)
Video still image. ABISSO
|
"For me, going through these treatments with an embodied practice, with a dance practice, it was my way of trying to cope and pull together these two opposite forces – these two opposite meanings." - SARAH PINI (IT / AU)
|
MAY 2019
SATO
BY AYUMI TOYABE (JP / HU)
BY AYUMI TOYABE (JP / HU)
Video still image. SATO
|
"For me dancing for camera is a little bit different energy from the one I use on stage because if I make dance video this video stays forever... - AYUMI TOYABE (JP / HU)
|
