OH BOY!
By Hadi Mousally (LB)
OH-BOY!
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"We all work together. And for me, when we're together, we're more stronger." - Hadi Mousally (LB)
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THE LAST CHILDREN
By Fu Le (FR)
The Last Children
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"A big part of the work with the children was to embody the sensation of weight when they were carrying the stones." - Fu Le (FR)
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IN SEARCH OF LOST TIME
By Marta Renzi (USA)
In Search of Lost Time
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"...Moving is to remember...Two layers, both remembering and embodying ...Alive in the past, in memory..." - Marta Renzi (USA)
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TRACES
By Nicola Hepp
Traces 2018
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"I read a little bit about these mirror neurons that we have in our brains that when we look at movement, we actually kind of replicate it in our body, even though we can't see it. But our brains are kind of recognising the movement that we see. And so there's some kind of recognition process going on. And I find that really beautiful." - Nicola Hepp (SE/NL)
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PAUSE
By Narelle Benjamin (AU)
Interviewed by Dr. Erin Brannigan
Interviewed by Dr. Erin Brannigan
PAUSE. 2020
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"This was really a film that was a response to the effects of the pandemic and particularly having to isolate for so long"... - Narelle Benjamin (AU)
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AND SO DO I
By Jana Younes (LBN)
Film still. And So Do I
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Dance can only happen with the involvement of the senses. It cannot happen without that involvement. And I guess the moment you want to talk about movement, you are accessing this brain, body, soul connection. - Jana Younes (LBN)
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KOHLE SAUER WASSER
By Zoë Schreckenberg (DE)
Film still. KOHLE SAUER WASSER
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"The topic of influence and consequence came up for me. I wanted the performers to influence the material... And also that the material is somehow a consequence of the performers"... - Zoë Schreckenberg (DE)
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MIRRORS
By Mary Marxen (USA)
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"I think heightened sensitivity is a woman’s super power, and I was trying to use my sensitivity instinct as an unwavering guide through the entire process of this film." - Mary Marxen (USA)
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MASS
By Fu Le (FR)
Film still. MASS. 2020
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"Single shot is interesting for me because I consider it as a complete choreography for the dancer, but also for all the technicians..." - Fu Le (FR)
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INSYN
By Klara Elenius (SE)
Film still. INSYN.
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"I’ve always been interested in social structures, interactions between people, and between people & their surrounding environment. So, I wanted to explore this in a poetic tone, which allowed for a lot of experimentation..." - Klara Elenius (SE)
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GOLDFISH
By Rain Kencana (DE)
Film still. GOLDFISH. 2019
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"...not everything is planned from the very beginning, but you see one thing and the other and you connect, and then you have an idea." - Rain Kencana (DE)
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SOUP
By Corina Andrian aka. Red-Cor (RO)
Film Still. Soup. 2019
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"The intimacy is the rhythm of the film's mood, and in moments of vulnerability, the camera captures everything unmistakably." - Corina Andrian (RO)
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